Category: Events

The 5th Eye International Conference

hosts The 10th Women and the Silent Screen Conference

Save the date 25–28 May 2019

http://eyefilm.nl/conference

SISTERS

Sisters
Women and the Silent Screen (WSS), an international conference held biennially, brings together research focusing on all forms of women’s presence in the earliest decades of motion picture history. After its first edition in Utrecht in 1999, the conference is coming back to the Netherlands to celebrate its twentieth year. The theme of WSS X is Sisters, taken both literally and figuratively within a wide range of theoretical and historical angles.

General Assembly 2018

The next ACE General Assembly will be held in Bologna on 27 June at 2–5 p.m. in Sala Cervi at Cineteca di Bologna, via Riva di Reno 72. Members: do remember that this is an election year of the Executive Committee so it is important to be present to vote for your favourite candidates.

Meeting documents (agenda, minutes of GA 2017, activity report, results 2017, budget 2018, mission statements) are available in the members’ area.

Film Education and Film Heritage conference

Thursday, June 28th 2018

9.30 am – 1.15 pm / 14.30 pm – 16.30 pm

@ Cineteca di Bologna – Sala Cervi, via Riva di Reno 72

Alain Bergala, Jean-Michel Frodon, Gian Luca Farinelli and Madeleine Probst will hold multidisciplinary discussions with film experts, teachers, critics and educators, with the aim of establishing quality criteria for Film Education at a European level.
They will highlight, through practical examples and best practices, the important role played by Film Heritage in our cultural background, and how it contributes to making young audiences more attentive and aware when it comes to dealing with audio-visual contents.
The conference is co-organised by CinEd and FLICK; European projects co-financed by the MEDIA sub-programme of Creative Europe.

 

To read the full program of the conference, please click here.

Workshop by Cinematek and Moma

From Concept to Concrete: Achieving Interoperability Through Linked Open Data in Film Archives and Beyond

Thursday, June 28th, 11.30 – 13.30
@ MAMbo – Museo d’Arte Moderna di Bologna, Conference Hall, via Don Minzoni 14

Workshop promoted by Cinematek (Cinémathèque Royale de Belgique, Bruxelles), MoMA – The Museum of Modern Art, New York and supported by FIAF (International Federation of Film Archives) and IBC (Istituto per i beni artistici culturali e naturali della Regione Emilia-Romagna).

Participants:

  • Bram Biesbrouck (Republic of Reinvention)
  • Nicola Mazzanti (Cinematek)
  • Francesca Ricci (IBC), Thelma Ross (MoMA)

Why is interoperability so difficult for film archives to achieve? Efforts along these lines have often resulted in complete failure or imperfect results.
What if we just haven’t had the right solution until now?
Isn’t it worth taking a look if it means your institution can finally and more completely fulfill its goal to provide access to its collections, both film and film-related materials?
Linked Open Data may be the way forward and this workshop will present ideas, arguments, and concrete developments that should help you understand its potential as well as the resources available to help you start using it.

Film Storage and Preservation – ACE Session

Tuesday June 26th, 2018 – h 14.30

ACE Session at the FIAF Film Restoration Summer School:

Film Restoration

  • Thomas Christensen (Curator, DFI)
  • Mikko Kuutti (Deputy Director, KAVI)
  • Nicola Mazzanti (Director, CRB)

present their classic curriculum on film preservation from analogue preservation principles via Digital 101 aka the Pixel to zoological references in restoration.

The session will take place at Auditorium – DAMSLab
@ Piazzetta Pier Paolo Pasolini 5/b (via Azzo Gardino 65/a) – 40122 – Bologna – Italia

DAMSLab - Auditorium © Università di Bologna

Activating the Archive – Audio-Visual Collections and Civic Engagement, Political Dissent and Societal Change

How can audio-visual collections be mobilized for the common good? How can (future) preservationists, curators and programmers be trained to achieve this goal? In May 2018, the EYE International Conference will explore answers to these and other questions, in a programme entitled Activating the Archive. Audio-Visual Collections and Civic Engagement, Political Dissent and Societal Change.

https://www.eyefilm.nl/en/themes/eye-international-conference-2018

Call for papers: FIAF Symposium “Sharing”, Prague 23–24 April 2018

Prague-banner2_startpage“Sharing” in all its aspects is the guiding principle for the two-day symposium at the FIAF Congress 2018 in Prague: This includes not only sharing content, but also metadata, tools and methods for preservation and research. As an international community FIAF archives don’t operate isolated, but in line with other partners and cultural heritage institutions in the field. Aim of this Symposium is to examine and discuss what we share, with whom, and how, but also the limits of sharing. Moreover, it should be explored if the the notion of sharing is a mean to better understand what challenges lie ahead of us and would benefit from joint solutions.
The FIAF Congress 2018 is organised by the National Czech Film Archive.

Deadline for submitting proposals: 8 December 2017
The call for papers can be downloaded in English, French and Spanish HERE.
Contact: fiaf2018@nfa.cz

Film:ReStored_02

Film-ReStored_2017_Postkarte_44020 August 2017 –  From 26-29 October 2017, the second edition of “Film:ReStored” will take place at the Filmhaus am Potsdamer Platz, Berlin. The festival presents new digital restorations as well as lectures and workshop talks to give an insight into the digitisation process and the questions surrounding this process. One major topic is the collaboration between rights holders, filmmakers, archives and service providers. What are the advantages of this collaboration and where does it cause tension? Would it be useful to develop common guidelines?

Film:ReStored is organized by the Deutsche Kinemathek on behalf of the Association of German Cinematheques (Deutscher Kinematheksverbund). The festival dates have been scheduled to correlate with UNESCO’s “World Day for Audiovisual Heritage” on 27 October and the “Kinopreis des Kinematheksverbundes”, which will be awarded at the Deutsche Kinemathek the same day.

The programme and the list of speakers are published HERE.
For more information and to register, please contact filmrestored@deutsche-kinemathek.de