With associative films rich in imagery, such as Andrei Rublev (1966), Solaris (1972), The Mirror (1974) and especially Stalker (1979), Andrei Tarkovsky (1932‒1986) made his name as a leading innovator of the language of cinema. This autumn, Eye presents an exhibition and film programme devoted to the celebrated filmmaker and mystic, focusing specifically on Tarkovsky’s quest for existential truth. In addition to immersing the visitor in Tarkovsky’s imagery, the exhibition includes unique documents — letters, photos and Polaroids — that have never previously been displayed in the Netherlands. Moreover, the accompanying film programme features digitally restored films.
14 September – 6 December 2019 www.eyefilm.nl/tarkovski
The exhibition has been conceived to get as close as possible to Tarkovsky and his work. That is why it will immerse visitors in the director’s imagery, intoxicating them, as it were, with numerous precisely chosen fragments from his films. This approach follows the ideas of the filmmaker regarding the ‘poetry of the image’ and the necessity of a ‘poetic logic’ and a ‘poetic montage’.
Especially unique is the collection of Polaroids and photographs – never previously shown in the Netherlands – made by Tarkovsky in a private capacity and while filming. The exhibition will also include material from Tarkovsky’s private archives, including letters, scripts and other documents that have never before been presented. These mementos of Tarkovsky’s personal and professional life have been made available by Tarkovsky’s son Andrei Andrejevich Tarkovsky.
If you attend the Classical Film Market in Lyon or the Giornate del Cinema Muto in Pordenone, be sure to grasp your hard copy of the first Heritage Catalogue 2019/2020 produced by Eye International.
You can read all about our recent restorations and curated programs in this booklet. Eye International is responsible for the international marketing & promotion of Dutch films. Read more on our website: www.eyefilm.nl/en/eye-international
The films of the Mutoscope and Biograph are quite special. Not only because they are very old and rare, but also because of their exceptional image quality.
The films of the Mutoscope and Biograph are the oldest films in the Eye vaults. The collection of Mutoscope and Biograph films consists of 200 films of approximately one minute each. The films are quite rare, only the British Film Institute has a similar smaller collection.
The films were shot on a very large format that was quickly outdated, but which yielded spectacularly beautiful images: 68mm. Apart from the format, the material is unusual because it doesn’t have sprocket holes, so the image fills the entire width of the film strip. This produces an image quality that is comparable to IMAX – 8 to 16K in digital terminology.
Most 68mm films contain rare images from various locations in Europe, with an image quality that after 120 years is still one of the best that film can transmit.
In 2015, the South African artist William Kentridge donated 10 Drawings for Projection (1989-2011) to the Eye Filmmuseum. These ten short animation films marked Kentridge’s breakthrough on the international art scene. Illuminating the eventful history of South Africa, these films will be shown at Eye this summer as part of a larger installation. Also included in the exhibition is the film installation O Sentimental Machine (2015), featuring historical footage of Russian revolutionist Leon Trotsky. The exhibition takes place during the Holland Festival, for which William Kentridge is Associate Artist. Eye Filmmuseum, Amsterdam, 3 June – 1 September 2019.